Welcome to Cal's Cosmos

Allow me to roll out the red carpet and usher you into my world--the world of writing. I am a blessed man; a man blessed with the enjoyment of creating worlds on a lifeless sheet of paper or a blank computer screen.

You'll find many things at Cal's Cosmos: information about my long and passionate love affair with writing, my views on literature, my musical heritage and thoughts on current events.

Please, come back often to see what's happenin' on Cal's Cosmos.

Sunday, April 22, 2012

HOW TO HOLD A PARIS RIOT

In The Phantom Lady of Paris, my hero, Paul, and the heroine, Bonnie, are caught in a Paris riot in front of Gilberts, a famous bookstore on the Left Bank. Parisians love a good riot, or so it seems. Look at history. So writing one was no stretch of the imagination.


 
Bonnie and I rushed to the window and stared out. Atop the shoulders of two muscular males sat a gaunt, longhaired man dressed in black. The two men transported their passenger across Boulevard Saint Michel toward Gilbert‘s. Protesters swarmed around the elevated figure as a sea of hands reached out, fingers extended, straining to touch the object of the adulation, to make contact with any part of him: his sweater, trousers, shoes, anything.
 

“Bonnie, who‘s the guy everybody‘s so worked up over?”
 

She glanced at me briefly before turning her eyes to the spectacle on the street. “Don‘t tell me you don‘t know?”
 

I glanced down at her. “OK, I won‘t, but I still don‘t know.”
 

“That‘s François, François the Incendiary. I thought everybody knew him.”
 

“Call me Mr. Nobody, because I don’t.”
 

“He‘s the leader of the student protest movement in France. When that guy speaks, demonstrators listen and act. Let‘s go outside and see what happens.” She headed for the door.
 

I grabbed her arm. “Why? To get caught in the middle of a riot?”
 

Suddenly, store lights flickered. “Ladies and gentlemen, Gilbert‘s is now closed,” a clerk shouted. “For the safety of all, management requests that you vacate the premises.” Customers inched toward the door, then stopped. “I must insist,” the clerk added, “all must leave.”
 

Outside, Bonnie and I filtered into a mass of chanting demonstrators. “François! François! François!Voices were tides of sound, echoing up and down Boulevard Saint Michel. “François! François!
 

“Bonnie, What the hell are we doing here in the middle of a mob? Let‘s get out, while we can.”
 

“Ah, come on, Paul.” She craned her neck to see over the people standing in front of us. “Don‘t be such a stuffed shirt. What are you so afraid of? I‘ve always wanted to hear François speak, just to hear for myself why students get so enthused by what he has to say. Let‘s listen.”
 

“François! François!” Herds of demonstrators swarmed down the boulevard. Others emerged from intersecting streets. “François!” Sidewalks fronting Gilbert‘s now overflowed. Necks craning, protestors clogged the thoroughfare, backing up traffic and enraging motorists.
 

“Have you people lost your damn mind? What‘s gotten into you?” one motorist yelled, leaning out his car window.
 

Horns honked.
 

François dismounted from his porters and, amid choruses of cheers, leapt onto a vendor‘s table where, arms raised, he signaled for silence.
 

“Quiet!” someone yelled.
 

“Yeah. Why don't-cha?” someone added. “François is ready to speak.”
 

One of the leader's aides handed him a bullhorn, and he pressed its mouthpiece to his lips. Immediately, Boulevard Saint Germain transformed into a sepulcher: total silence. “Fellow revolutionaries,” the Incendiary bellowed, “Patriots of France,” he paused, the intermission accentuating silence like an exclamation point. “Hear my words.”
 

Cheers exploded, followed by a chain of chants: “François…François…François!” The speaker once more signaled for silence.
 

“Comrades,” he continued, “comrades.” Again, an explosion of cheers.
 

“Quiet, let him speak,” a man yelled.
 

“The time,” François said, “has come, the day, the hour; the moment is at hand! Not tomorrow, as the bureaucracy would have you believe, nor some unnamed future date. Fellow revolutionaries, now is the time when we must end once and for all the university‘s inequalities, dismantle its archaic bureaucracy and curricula and make known to the world our grievances.” With a raised fist, he shouted into the bullhorn, “Now! Now! Now!”
 

The crowd responded: “Now! Now! Now!” Beneath the din of the throng edged another sound, the wail of police sirens, but the resonance of approaching sirens didn‘t deter François. “We have not gathered here,” he extolled, “to capitulate!” His words were now fireballs of passion. “We shall not be moved!”


“Never!” demonstrators responded. “Never!”
 

“Nor shall we cower,” intoned the speaker.
 

“Never!” protestors replied.
 

“Or be intimidated by billy clubs.”
 

“No.”
 

“Or tear gas!”
 

“No! No!” The crowd chanted louder and louder.
 

The screech of police vehicles slamming to a stop punctuated protesters' chants as officers with shields, nightsticks, and gas masks, poured from vans. “Form ranks!” barked the commander. “Double time!” Like automatons, lawmen scurried.
 

“The presence of policemen will not weaken our resolve,” François the Incendiary orated.
 

“No!” responded a chorus of frenzied voices.
 

Officers formed lines on the sidewalk across the street from Gilbert's. “This demonstration,” the commanding officer bellowed, “is unauthorized. You have sixty seconds to disperse.” No one moved. “Fifty-nine seconds.”


Wednesday, April 4, 2012

What is Paris like in April?

Paris in April. What is it really like? I thought I'd share a section of The Phantom Lady of Paris with you.
A few weeks afterward, spring arrived in Paris. Skies sparkled like diamonds, and the fragrance of blossoms was everywhere. Trees on Boulevard Saint Michel transformed into impressionists‘ canvasses and in the Luxembourg Garden, flowers dazzled with violet and gold. When you sat on the terrace of a café in Saint Michel Plaza, breezes whispered past, cooling and refreshing. Spring had come. It came early, weeks after Bonnie left.


Latin Quarter inhabitants who hibernated through much of winter reappeared and once again strolled boulevards. All the cafés on Boulevard Saint Germain were now open (many closed during winter months). Once again their terraces bubbled with laughter and conversation. If one listened carefully, one heard the gurgle of wine filling goblets, the pop of champagne corks, and hiss of espresso machines spewing the aroma of fresh java, an aroma that brought back memories of Sunday mornings and good times at home. It was the music and fragrances of spring in Paris. Spring came early that year, mere weeks after Bonnie left.



On Sunday afternoons, couples, their toddlers in hand, strolled Boulevard Saint Michel. Cradling toy sailboats, youngsters frolicked into Luxembourg Garden and as parents looked on, the young dynamos of energy splashed through wading pools, squealing and laughing—orchestrating the resonance of youth and immortality. Spring had come.


Gypsies once again panhandled on street corners, their favorite, the intersection at Saint Germain and Saint Michel, where they stopped passersby, glibly spinning tales of  hard times,  and starving babies, and the imperative need for a few francs to buy milk and/or medicine for their emaciated, near-death children. Translation? ― We need money to buy wine. When Gypsies returned, there could be no doubt, spring had come.


Neighborhood bums reappeared and bought bottle after bottle of vin ordinnaire, drank themselves into stupors, then snoozed away the afternoon. Spring had arrived. It came soon after Bonnie left. Yet its coming did not delight me, for the woman I loved was no longer in the City of Light.

Monday, March 19, 2012

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Saturday, February 11, 2012

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REVIEW BY AUTHOR GWYNETH GREER:
It didn't take long after downloading this delightful read to become totally involved in the story Mr. Davis so skillfully weaves. Having been a student during the era about which he writes, his vivid re-creation of protest and struggle made me remember and gain a new perspective on those days. Not only did I feel I'd been to Paris, I fell in love with the quaint shops and cafes the characters frequented. The characters are well-drawn and totally realistic, which made them all the easier to become vested in. Plot twists and turns give way to a bittersweet resolution, yet any other would have diminished the ultimate impact of the story.